Showing posts with label bourbon. Show all posts
Showing posts with label bourbon. Show all posts

Friday, August 17, 2007

Slouching Towards Euphoria: Radio Bar


After bidding adieu to my corporate job that has sustained me through writing my thesis and acquiring teaching experience, I walked into a local bar to toast my former career and my future one. I had walked by Radio many times to get a morning espresso and wondered what the bar was like. No time like the final time.

Radio is a hipster dive bar. It’s not truly a dive, although it’s made up to look like one. Like hipsters themselves, hipster bars have an ironic self-knowledge. The font of the Radio sign is pseudo-Chinese character. The bar has red hanging lanterns and trays with floral designs hanging of the wall. Radio is close to Oakland’s Chinatown, so the motif works well. It’s also painted black and it’s so dark in there that Dick Cheney could get laid.

The bar is a shotgun shack layout with a loft at the end of the bar. The loft has a chain-link fence, which is a nod to Goths or to piggy sex clubs. A mannequin lies on her side on a walkway above the bar. She wears a long slip and looks to the ceiling, perhaps trying to see how the stars are aligned tonight. The seats at the bar are attached to the ground and swivel around. The seats remind me of the bars from the sixties and seventies, the kind of bar you see in Goodfellas, the kind of bar where Joe Pesci kills a made man. In the middle of the bar is a huge column. Either it’s a load-bearing column or it’s a vent. The bottom part of it is covered in square bits of mirror, like a disco ball.

The have a generous supply of Jack Daniels, Makers Mark, and more vodka than you can shake a piroshki at. The bartender made me an excellent Manhattan. A lone, turned-off TV sat on the walkway. I imagine that when they turn it on, it plays cult movies. The bathroom was truly hideous. The smell curled the paint off in strips. The graffiti must have been there for years, including references to the corporation, whose doors I traveled through for the last time a half hour before.

They have DJs here, but there is nowhere to dance. But at hipster places, dancing is not on the menu. DJs come in many forms. The club DJ is pumping a crowded room full of e-bombed dancers. He or she has a headphone in one ear, while staring intently at the turntables. The wannabe club DJ plays bars, where they blast beats and no one is dancing. They just annoy the drinkers, while the bar tries desperately to be hip. The hipster bar DJ spins indie and old rock songs. No one dances. They just say ahh, this guy knows his old rock and indie stuff. I’m guessing Radio Bar DJs are this way.

I like Radio. It’s an unpretentious place with decent drink prices. Oakland, for some bizarre reason, has expensive drinks, but Radio seems like an exception to the rule. The bartender was cool, and the jukebox was well-stacked with great music. The swivel chairs are comfortable. Just be prepared to be blinded when you walk out in the sunshine. The blinding orb will remind you, that you’ve left the cocoon for the cold, bright world.

Saturday, June 16, 2007

Slouching Towards Euphoria: The Alembic


After seeing a noisy pop rock band, called the Noisettes, at Amoeba Records in the Haight, my friends and I stopped off at a bar called The Alembic. It occupies a space that was a taqueria, now it is a high church to good spirits.

It’s interior resembles a roadhouse, a very clean roadhouse, a roadhouse where the drinks start at six bucks and head up from there. Little alembics line the shelves, along with cocktail books and pictures of pipes and kilns. The ceiling is covered in brass with two fans that languidly rotate. The tables and the floor are distressed wood. I tried to comfort it, but to no avail. They have a chalkboard that is held up by ropes and a pulley. The board lists the extraordinary amount of fine booze they sell. The bathrooms are sparkling clean and they have rolled cloth towels. The place is a mixture of down home and decadent.

I was told that the owners also own the fine hippie brewery, Magnolia’s down the street, so it is no surprise they carry Magnolia’s excellent craft brewed beer on tap. They carry other top notch beer also, including a great Belgium beer selection. Don’t ask for Bud or Coors here, fool. To my pleasure, they carry the most gin I’ve seen anywhere. I tried the Dutch gin called, Boomsma Oude. I had it in a martini, which was a mistake. Boomsma Oude is aged in oak barrels, which gives it a smooth and earthy taste. Smooth is good for martinis, earthy is not. This would be excellent in a highball glass.

The real pleasure in Alembic is the choice of bourbons. Bourbon is very trendy right now, but not in a lemon-flavored way. The Alembic has dozens of aged bourbons. I had a drink, I’ve never tried before: the Mint Julep. Outside the bar, they had a small chalkboard with a quotation of Hunter Thompson regarding the Mint Julep. I wish I wrote down the quotation, but if Hunter recommends it, I’ve got to try it. I assume he has sent many a pious person down the treachery slopes to hell.

A Mint Julep at The Alembic is made with mint, sugar, 12-year old bourbon and "brutally crushed ice." They are not kidding about the brutality. The bartender put the ice in a canvas bag and beat it with a stick. The drink is served in a silver cup. The cup frosted over. It was a hot night, a rare hot night in San Francisco, and I wanted to say in my worst Southern accent, would y’all like ‘nother Julep to fight the vapors with?

I admit it: I love this bar. I highly recommend you check it out.